Publication with features, review and promoting exhibitions. 42-47 Henry Moore Family Collection article detailing Mary Moore's personal recollections of her fathers practice and two presentations of Moore's work: Ideas for Sculpture 2008 London and Works on Paper from the Henry Moore Family Collection 2010 Zurich. Illus of Moore in his maquette studio 1968; Moore working on a lithograph1973; Henry and Mary Moore in the Top studio 1951; Sleeping Shelterer 1940-41 (HFM 1694); Two Sleepers 1941 (HMF 1853); Shelter Scene: Two Seated Figures 1941 (HMF 1824). Reference to Moore's writing in The Listener 1937; teaching how to see in a sculptural and three dimensional way; Mary Moore's childhood games; holidays in Broadstairs, Kent; Henry Moore photographing his own work; the development of modern communication on the world view of sculpture; Zwemmer's bookshop; British Museum and Musée de L'Homme; and Moore's collection of natural objects and pebbles, books, postcards and sketch books. Mary MOORE writes about her father's internalisation of visual imagery, the idea that he took inspiration from these pebbles is misleading rather they confirmed his own inner vocabulary.

List of exhibitions (pp.113-133) includes four solo and one group exhibition for Henry Moore, illus. with an image of Chairback Relief. Shows listed are: Henry Moore (Zentrum Paul Klee), Figure and Architecture: Henry Moore in the 1950s (Leeds Art Gallery Collections), Henry Moore: Back to a Land (Yorkshire Sculpture Park), Henry Moore: Arte en la Calle (La Caixa), and Arche Noah: Uber Tier und Mensch in der Kunst (Museum Ostwall im Dortmunder U).