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Henry Moore Artwork Catalogue

Henry Moore Remembered: the collection at the Art Gallery of Ontario in Toronto

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0000052 Henry Moore Remembered: the collection at the Art Gallery of Ontario in Toronto Dr Alan G. Wilkinson Art Gallery of Ontario Toronto Published with Key Porter Books in cloth and paperback editions. Issued on the occasion of an exhibition held at the AGO 16 Sept 1987-7 Feb 1988. A revision of The Moore Collection in the Art Gallery of Ontario (See 0002440). David M. CAMPBELL of CMQ Communications Inc. provides a brief Sponsor's foreword. William J. WITHROW in the Director's foreword recalls personal memories of the artist. Acknowledgements are made by Withrow and Wilkinson.
Pages 39-265 The Collection, although reset, is essentially the publication that appeared in 1979 with the addition of five new bronzes; so that 73 drawings and 131 sculptures are now recorded, with illustrations of 21 prints selected from 689 in the collection. Ideas for West Wind Relief, 1928 drawings are referred to in this revision as Ideas for North Wind Relief, 1928 drawings, due to an oversight. The Chronology on pages 269-270 is new, as are the opening chapters.
3-26 A stranger here: Moore in Toronto.
(The Service of Thanksgiving for the Life and Work of Henry Moore (See 0012397) held at Westminster Abbey i s described. The history of Moore's gift to the Art Gallery of Ontario is recorded in detail: from the association with Viljo Revell, through the acquisition of Three Way Piece No. 2: Archer, 1964-1965 bronze, and the development of the Henry Moore Sculpture Centre. Wilkinson's own association with Moore, in the production of his thesis (See 0003840) and in the creation of the Centre is described. Subsequent activities of the AGO, in terms of acquisitions, loans and exhibitions, are described. Moore's twilight years at Much Hadham are recalled).
27-37 Sculptural energy is the mountain: the art of Henry Moore.
(Moore's role in giving sculpture a high profile, and the universal appeal of his own work through its utilisation of natural objects. Outlines Moore's life and career: the family background, school and college days, early influences, War Drawings, and subsequent sculptural achievement).

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Animal Head
LH 396 plaster
1956
Archive image of a representative cast
LH 393 cast b
1955
Concerto
HMF 3177
1966
Crouching Figure
HMF 481
1926
Draped Reclining Woman
LH 431 plaster
1957-58
Family Group
HMF 2225
1944
Family Group
HMF 2504
1948
Family Group
HMF 2224
1944
photo: Antia Feldman
LH 267 plaster
1947
Figure Studies
HMF 1014
1933
Figure Studies
HMF 96
1922-24
Archive image of a representative cast
LH 553 cast 8
1966 cast 1976
Half Figure
LH 160a terracotta
1935
Hand Relief No.2
LH 355 plaster
1952